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The Jazz Kid

Audiobook
1 of 1 copy available
1 of 1 copy available

Paulie Horvath is never going to be a good student like his brother, John, never going to follow his hardworking father into the plumbing trade, never going to ease his mother's mind by passing tests or cleaning up his room. But once he hears jazz by accident from the basement of a speakeasy, he knows exactly what he will do: learn that music and make it his life. Jazz is all around in gangland Chicago, but not so easy for a twelve-year-old to find, especially when his father disapproves of it. Paulie has to lie, beg, and steal just to get time for lessons, time to practice, time to slip across town to see stars like King Oliver and Louis Armstrong.

Lies last only so long until they are found out, and a confrontation is coming. Will he choose home and family or sleazy dives with that wonderful music? To decide, Paulie has to face an even tougher question. What is jazz, after all?

Author James Lincoln Collier has played and studied jazz throughout his life. Here is a novel that shows us a great moment in the history of jazz, and points at issues that still trouble us today.

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    • Publisher's Weekly

      May 2, 1994
      Newbery Honor author Collier ( My Brother Sam Is Dead ) deftly recreates the spirit of 1920s Chicago and the thriving world of jazz and its stars, including King Oliver and Louis Armstrong, in this story of a 12-year-old obsessed with making music. Much to his parents' dismay, Paulie Horvath has little interest either in school or in the family plumbing business; he wants only to play his cornet and listen to what his father calls ``nigger music.'' When he gets held back a grade in school, his beloved cornet is taken from him by his irate father. Paulie then runs away and becomes part of the jazz scene, working in a club and playing whenever he can. While Collier's knowledge and love of the subject are apparent, readers may have trouble relating to the esoteric nature of jazz and to the more technical aspects of playing it. More problematic are a weak plot device involving a gangster mistakenly believing that Paulie is a spy, and the too-neat ending that detracts from what is otherwise a powerful story. Ages 10-14.

    • Publisher's Weekly

      January 29, 1996
      Although the author "deftly recreates the spirit of 1920s Chicago and the thriving world of jazz," PW found certain plot devices "weak" and the ending overly neat. Ages 12-up.

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  • OverDrive Listen audiobook

Languages

  • English

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