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The Poet Slave of Cuba

Audiobook
1 of 1 copy available
1 of 1 copy available
Together we belonged
along with countless others
human beasts of burden
to the proud Marquesa . . .
Juan Francisco Manzano has never known any other life. Born into the household of a wealthy slaveowner in Cuba in 1797, he spent his early years by the side of a woman who made him call her Mamá, even though he had a mama of his own. Denied an education, young Juan still showed an exceptional talent for poetry. His verses reflect the beauty of his world, but they also expose its hideous cruelty.
In powerful, haunting verses of her own, Margarita Engle evokes the voice of the Poet Slave of Cuba.
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    • AudioFile Magazine
      A soft male Hispanic voice begins the multivoiced biography of Cuban poet Juan Francisco Manzano, who lived between 1797 and 1853. Gentle rhythms accentuate the lyricism of Manzano's uniquely beautiful view of the world. Passionate descriptions express his vibrant love of life, learning, and words, despite the limitations of his enslaved childhood. Only later does bitterness creep into his tones as his parents are freed and Juan must serve a second cruel, possessive mistress. The female narrators who portray Juan's two mistresses and his mother more strongly emphasize the poetic form of the text itself. They create haunting tones that convey the pride of Juan's mistresses and the awe his mother had for her son's gifts. This is an audio to be savored by poetry lovers of all ages. S.W. Winner of AudioFile Earphones Award (c) AudioFile 2009, Portland, Maine
    • Publisher's Weekly

      April 17, 2006
      Engle (Skywriting
      , for adults) achieves an impressive synergy between poetry and biography as she illuminates the tortured life of the 19th-century Cuban poet. Born a slave, Juan is kept like "a poodle, her pet/ with my curly dark hair/ and small child's brown skin," by his "godmother" and owner, Beatriz. She grants his birth parents manumission (for a price), while refusing to free Juan until her own death. Juan shows talent for memorization, and recites literature for Beatriz's amusement. Despite his mother's payment, Juan is transferred, at Beatriz's death, to another owner, the Marquesa de Prado Ameno, who punishes Juan cruelly. There he also secretly learns to read and write—posing a threat to the Marquesa and the social order. Engle's compelling poems shift in viewpoint among seven people, and the technique works beautifully: readers thus draw their own conclusions from Juan, his desperate parents, brutal owners, the Marquesa's sympathetic son and the conflicted Overseer. Juan's poems articulate both his enduring pain and dream of release ("I sit tied and gagged./ She is there, behind the curtain./ .../ She can't hear the stories I tell myself in secret"), while recurring bird imagery signifies elusive freedom. Quall's (The Baby on the Way
      ) expressionistic half-tone illustrations extend Engle's exploration of race as a cornerstone of the social caste in Spanish colonial Cuba. (Juan and his family are dark-skinned; the women who own him use a powder of crushed eggshells and rice to lighten their complexion.) An author's note and excerpts from Manzano's own poetry round out this sophisticated volume. Ages 10-up.

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  • English

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